![]() Style Detail of The Death of Marat showing the paper held in Marat's left hand. David was also on the Committee of Public Instruction. As a deputy of the museum section at the National Convention, David voted for the death of French king Louis XVI and served on the Committee of General Security, where he actively participated in sentencings and imprisonment, eventually presiding over the "section des interrogatoires". The leading French painter of his generation, David was a prominent Montagnard and a Jacobin, aligned with Marat and Maximilian Robespierre. A copy of L’Ami du peuple stained with the blood of Marat David's politics In the painting, the note Marat is holding is not an actual quotation of Corday, but a fictional expression based on what Corday might have said. When he was murdered, Marat was correcting a proof of his newspaper L'Ami du peuple. She was later tried and executed for the murder. Corday fatally stabbed Marat, but she did not attempt to flee. Marat suffered from a skin condition that caused him to spend much of his time in his bathtub he would often work there. Corday gained entrance to Marat's dwelling with a note promising details about a counter-revolutionary ring in Caen. Marat was stabbed to death by Charlotte Corday, a Girondin and political enemy of Marat who blamed Marat for the September Massacre. Jean-Paul Marat ( – 13 July 1793) was one of the leaders of the Montagnards, a radical faction active during the French Revolution from the Reign of Terror to the Thermidorian Reaction. A replica, created by the artist's studio, is on display at the Louvre. The painting is in the collection of the Royal Museum of Fine Arts of Belgium. ![]() ![]() Clark called David's painting the first modernist work for "the way it took the stuff of politics as its material, and did not transmute it". ![]() Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. The Death of Marat ( French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. ![]()
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